Monday, February 24, 2020
Sunday, February 23, 2020
Storium Starters: Crash Landing
Storium Starters are starting scene ideas for the generic Storium worlds available to everyone. They contain introductory narration, challenge text, outcomes, and some location or world information that may be necessary to understand the first scene, though I attempt to keep them generic enough that they can easily be slotted in regardless of other world details you might have designed. Along with the initial scene idea, they will also contain ideas for where the story could go from the starting point. Storium Starters are released to public domain and may be used without attribution for your own games.
This Storium Starter is meant for the Space Adventure world. It is possible you may find uses for this starter outside of that world, but your mileage may vary on that.
This starter assumes that you are using the Dauntless ship described in the world's cards. If you have another name and design for your ship, you may need to make modifications to make this make sense with your concept.
It didn't, of course. The crash was the loudest noise any of them had ever heard by far. But in the moments before it, they heard nothing. The world moved slowly, too slowly, and they could see every little detail, every tiny blade of grass, every speck of dirt on the ground that was coming far, far too close.
The world moved too slowly, yes, but too quickly as well. They had time to take everything in, but not enough time to *do* something about it. One eternal moment they were plunging towards the ground, staring in horror at the shuttle's viewscreen and blaring alarms. The next...
Impact.
They weren't sure how long it took for them to shake off the daze, to clear their vision, to scrabble at their safety harnesses and crumple out of their seats. They weren't sure quite how they got out of the shuttle. Some walked, or walked and crawled and stumbled. Some were carried.
When they were fully able to take in the world about them once again, they were clear of the shuttle, and they were alive. That was what mattered.
They each looked around. Others had gotten clear too. Everyone? That wasn't sure. Some, at least. Shell-shocked, defeated, despondent, defiant...the expressions varied, but all knew the danger they now faced.
The *Dauntless* - the ship on which they served - would search. But it would take time, and in the meantime, they had to survive.
They were on an unknown world, in the middle of a wild jungle of strangely-colored plants and natural metallic formations. They'd come to explore it, in fact - that had been the mission. Quietly explore, take some samples, get recordings of the local wildlife, determine if there was any sign of sentient life. They'd taken a few preliminary scans on the way down, and located a safe place to touch down.
That place was *hundreds* of kilometers away.
So, first things first: They needed a safe location where they could patch up anyone in need of it, take stock, and get their bearings. It wasn't safe to remain by the crash site longer than they had to. The noise would certainly have attracted some attention, and chances were, anything willing to approach could be deadly. It wasn't a good idea to go traipsing off into the jungle on a longer journey yet, but hopefully they could find a place nearby that would serve their needs for the moment.
Hopefully without stirring up any of their own trouble, or getting lost. The jungle was sure to be confusing, but on the bright side, the smoke rising from the crashed shuttle, higher and higher, could guide them back if they ran into trouble.
And the shuttle...the shuttle itself was totaled, a mangled mass of metal. It was hard to believe any of them had gotten out of it at all. It was sure to be dangerous - sharp bits of metal were poking out seemingly everywhere, and exposed wiring and damaged control panels emitted sparks. But there might be something of use in there - and at the very least, they needed some basic supplies. Best to get what they could from the shuttle before they had to leave.
Slowly, the team set to work. The mission was a wash, but they had a new one now: Survival.
This Storium Starter is meant for the Space Adventure world. It is possible you may find uses for this starter outside of that world, but your mileage may vary on that.
This starter assumes that you are using the Dauntless ship described in the world's cards. If you have another name and design for your ship, you may need to make modifications to make this make sense with your concept.
Scene:
In the moments before the crash, it was like the world went silent.It didn't, of course. The crash was the loudest noise any of them had ever heard by far. But in the moments before it, they heard nothing. The world moved slowly, too slowly, and they could see every little detail, every tiny blade of grass, every speck of dirt on the ground that was coming far, far too close.
The world moved too slowly, yes, but too quickly as well. They had time to take everything in, but not enough time to *do* something about it. One eternal moment they were plunging towards the ground, staring in horror at the shuttle's viewscreen and blaring alarms. The next...
Impact.
They weren't sure how long it took for them to shake off the daze, to clear their vision, to scrabble at their safety harnesses and crumple out of their seats. They weren't sure quite how they got out of the shuttle. Some walked, or walked and crawled and stumbled. Some were carried.
When they were fully able to take in the world about them once again, they were clear of the shuttle, and they were alive. That was what mattered.
They each looked around. Others had gotten clear too. Everyone? That wasn't sure. Some, at least. Shell-shocked, defeated, despondent, defiant...the expressions varied, but all knew the danger they now faced.
The *Dauntless* - the ship on which they served - would search. But it would take time, and in the meantime, they had to survive.
They were on an unknown world, in the middle of a wild jungle of strangely-colored plants and natural metallic formations. They'd come to explore it, in fact - that had been the mission. Quietly explore, take some samples, get recordings of the local wildlife, determine if there was any sign of sentient life. They'd taken a few preliminary scans on the way down, and located a safe place to touch down.
That place was *hundreds* of kilometers away.
So, first things first: They needed a safe location where they could patch up anyone in need of it, take stock, and get their bearings. It wasn't safe to remain by the crash site longer than they had to. The noise would certainly have attracted some attention, and chances were, anything willing to approach could be deadly. It wasn't a good idea to go traipsing off into the jungle on a longer journey yet, but hopefully they could find a place nearby that would serve their needs for the moment.
Hopefully without stirring up any of their own trouble, or getting lost. The jungle was sure to be confusing, but on the bright side, the smoke rising from the crashed shuttle, higher and higher, could guide them back if they ran into trouble.
And the shuttle...the shuttle itself was totaled, a mangled mass of metal. It was hard to believe any of them had gotten out of it at all. It was sure to be dangerous - sharp bits of metal were poking out seemingly everywhere, and exposed wiring and damaged control panels emitted sparks. But there might be something of use in there - and at the very least, they needed some basic supplies. Best to get what they could from the shuttle before they had to leave.
Slowly, the team set to work. The mission was a wash, but they had a new one now: Survival.
Challenges:
- Seeking (Relative) Safety:
- Description: A crash-landing on a world that's still a mystery...there's sure to be dangers lurking in the wilds. Immediate survival is priority number one: You need a place you can defend.
- Points: This is the major challenge for the scene. Assign it points equal to the number of players you have.
- Strong Outcome: You find a location nearby the landing site that is safe enough for now. There aren't any notable dangers near it for the time being.
- Weak Outcome: You find a location nearby the landing site that *seems* safe enough for now. What significant danger did you miss spotting?
- Uncertain Outcome Idea: The players find a safe location, but there's a danger approaching that they're aware of so their time there will be limited. Or, the players are unable to find a safe location, and return back to the crash site to let everyone know they're just going to have to get moving as soon as they can. Or, the players find a site that *could* be safe...once they deal with a more minor threat.
- Salvage:
- Description: Your shuttle crash-landed, and it won't be flying ever again. Best see what you can salvage from the wreckage before you move on.
- Points: This is the secondary challenge for the scene. Assign it points equal to half the number of players you have, rounded up.
- Strong Outcome: You salvage some general supplies and one particularly useful item from the wreckage...what is it?
- Weak Outcome: You salvage some general supplies, and CHOOSE: You salvage a particularly useful item...what are it? But whoever played the most weakness cards (or a volunteer) is injured while they search the ship - how? OR: You salvage something that you think will be particularly useful - what is it? But you don't notice it was damaged badly in the crash.
- Uncertain Outcome Idea: The characters discover an item that would be very useful to them...but it is trapped within the wreckage. Now they'll have to figure out a way to free it in another challenge.
These two challenges are both focused on searching or exploring in some ways, but emphasize to the players that the manner in which these challenges progress is up to them. If characters are more combat-focused, for instance, they're welcome to state that they encounter aggressive wildlife while exploring or other minor physical threats that they can overcome with their weapons and combat skill. Or, maybe there's something in the ship that's being blocked by a heavy object, and a big guy needs to move it out of the way.
Storium allows players a lot of leeway with defining what happens during a challenge, including defining their own threats if need be. The Outcomes should tell players the range of things that can ultimately result from a challenge, but the way the challenge gets to those outcomes is fairly open. Players should keep things on theme for each challenge, but should feel free to come up with details that suit what their characters can do...or what they really struggle with.
If you plan to do a second set of challenges this scene, you may wish to warn your players not to play all three of their cards during these starting challenges (or all their card plays for the scene, in any case, if you are using different settings from the defaults).
Players get to get creative with the outcomes on these challenges - they're quite open. If you'd rather have more control over things starting out, or if your group doesn't seem comfortable with creating the details in the outcomes, you may wish to specify more clearly what "useful item" is found or what "safe location" is discovered. Making these sorts of things up can be a lot of fun for players, though - and for you as narrator - so if it feels possible, try letting players have more freedom with the details.
Setting Information:
This starter takes place on an uncharted alien world which the crew of the Dauntless had been tasked with exploring. The Dauntless itself is not present yet - the characters took one of the exploration shuttles on this mission. The Dauntless may arrive during the game as a change to the story, or its arrival may take place at the end of the game - the event everything builds towards.
The nature of the world is up to you, and depends on where, precisely, you would like the story to go. You might start with either the Planet DRX-31880 or the Planet EV-1996 location cards, or feel free to make up your own as suits the direction you'd like to go with the story. I've set things up with a jungle environment above by default, which fits DRX-31880 best, but that's a fairly easy modification to the narration if you'd like to have a different sort of environment.
The Dauntless itself is an exploratory space vessel with several decks in the offical cards, which should have a fairly large crew. The player characters and any NPCs you decide to have as part of the crash landing are a small subset of this crew. The Dauntless knows they are here, so it will come and look for them.
Moving Forward:
Where do you go from here? Well, there's quite a lot of options:
- Hostile Sentients: Maybe what brought the shuttle down was an intentional attack by a hostile force. Are they native to this world? Perhaps they are from an old enemy of humanity, or perhaps they are a new foe. With this idea, it's best to hint at the possibility of these sentients early on - maybe as early as right after these starting challenges, by having someone notice that some of the shuttle's damage looks like it was hit by a powerful energy pulse. Introduce them as actual antagonists as early as scene 2, and either have the players play the mouse to their cat and try to reach a place where they can safely signal the Dauntless, or find a reason they need to confront the hostiles directly. Is peace possible?
- Survival: With this, it's all about survival - the players are faced with challenges from wildlife and plants and unusual weather and anything else that seems interesting that you can throw at them. The story is all about waiting for the arrival of the Dauntless. You'll want to be careful to give players reasons to be active, though - what are the group's actual moment-by-moment tasks? Finding food and shelter, chasing after dangerous wildlife that also stole something crucial, saving an endangered crewmate...those are the sorts of challenges that can give the story a sense of momentum. It is harder to do a pure survival story than a story with solid antagonists. One angle that you can approach, then, is to find an antagonist - why did the ship crash? Maybe someone on the crew didn't want something on this planet to be found, and committed sabotage...and maybe he's working against the crew even now. Or, maybe there's just an incompetent NPC officer who tries to assert his authority and gets the group into dangerous trouble.
- A Trap! With this one, it's about the Dauntless. Bringing down the shuttle was a trap set by a hostile force, but a force that doesn't fully reveal itself until the halfway point when Dauntless arrives. Perhaps the players can realize the danger before then, and work to stop the plans of the aliens, or perhaps they struggle with their survival until the arrival and then have to work to take back Dauntless when the hostiles take it over.
There's sure to be more you could do - maybe the world is the home not of a hostile alien force, but of an inexplicable supernatural entity or other being beyond human understanding. Maybe the world itself is sentient and trying to kill the characters. Maybe they all actually died in the crash and their existence now is a purgatory where they have to work through their faults and come to understand themselves better...there's a lot you can do with this as a launching pad, so take the story where it seems to go...or just see what your players come up with and go from there, as suits your narration style.
I hope that you find this starter useful for your games!
Thursday, February 20, 2020
Riot Zone (TurboGrafx-CD)
| Developer: | Westone | | | Release Date: | 1993 (1992 in Japan) | | | Systems: | TurboGrafx-CD, Arcade (kind of) |
This week on Super Adventures we're going to the Riot Zone, on the TurboGrafx-CD / PC Engine CD-ROM².
Though it's also known by another name, as it started life as an coin-op called Riot City. The licensing agreement that developer Westone had with original publisher Sega said they owned the rights to the game, but not the characters, bosses or names, so when they ported it to Hudson Soft's console they had to give it a makeover and a new title. It's a bit weird they didn't just port it to Sega's Mega Drive / Genesis instead and save themselves the work, but I suppose they must have had their reasons.
The game never got a European release in either form, but the console version did reach America, so there'll be nice English cutscenes for me to completely understand. Well I'll be able to read the text at least.
Read on »
Now Hiring: Community Manager And Event Coordinator
We are now looking for a "Community Manager and Event Coordinator" for our company. This will be a very broad role and we are looking for someone who is very driven and creative. The tasks will range from the simple, such as:
- Managing our social media accounts and platform-specific communication channels (such as Steam communities and PS4 Game hub).
- Answering various emails.
- Coordinating and booking special internal and external events.
- Planning and coordinating PR for a new game release.
- Making plans for improving our social media and implementing these.
- Overseeing a revamp of all our webpages (company and game-specific).
- Becoming the company's catalyst for generating interesting posts and events on all of our public channels.
The basic requirements are as follows:
- It's crucial that you are a person who is highly able to work on your own initiative. No one will be laying out an exact schedule of things that you must do - you will need to drive your own workload. You will also need to be a creative member of the team, bringing a lot of your own ideas and suggestions to the table and then going on to implement them when possible.
- You must live in Sweden or be prepared to move here. Note that any employment starts with a six month trial period, and there is no need to move until that is over.
- You must have excellent writing skills in English.
- You need good knowledge of how social media, such as Twitter and Facebook, works.
- You should have a burning interest in video games and an understanding of the market.
In order to apply, start by doing the following assignments:
- Imagine that SOMA is about to be released. Write a short (at most 150 words) and playful cover letter that will be sent out with all of the review copies of the game.
- We really need to become much more frequent in our social media usage and communicate what we do as a company and what we are like as individuals. In 200 words or less, explain how you would try to go about increasing the number of interesting posts on our social media channels.
- An angry user has written an email complaining that our games have all become worse since Penumbra, as they no longer have proper puzzles and gameplay. Write a response.
- Being proactive and self-starting is crucial for this position. Therefore, write your own question similar to the ones above and answer it.
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We store all applications in a secure system. The applications are stored for two years, after which they are deleted. If you want your your information removed earlier, please contact us through our Contact form. Read more in our Privacy Policy.
Wednesday, February 19, 2020
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Movie Reviews: Crazy Rich Asians, Destination Wedding, I Feel Pretty, The Wife, Won't You Be My Neighbor
See all of my movie reviews.
Crazy Rich Asians: This was surprisingly good, considering the trailers. Not great, but good. it's about an American Chinese economics professor who goes to meet her boyfriend's Chinese family in Singapore. She soon discovers that his family is very, very rich, and that his mother doesn't think an American Chinese woman belongs in the family.
Crazy Rich Asians: This was surprisingly good, considering the trailers. Not great, but good. it's about an American Chinese economics professor who goes to meet her boyfriend's Chinese family in Singapore. She soon discovers that his family is very, very rich, and that his mother doesn't think an American Chinese woman belongs in the family.
From the trailer, I expected this to be stupid, marketed only on the basis of having an all-Asian cast of comedians. Thankfully, this was not the case. I guess because a) trailers are often put together by idiots, and b) it came from a rather decent novel, which I have not yet read.
Like Me Before You, I am now interested in reading the novel. This movie is a little Jane Austeny - nowhere on that caliber - but interesting, with characters and confrontations that seem to have something to say. It works, I feel, almost in spite of itself. It looks like the director/screenwriter tried to cut it down to something resembling a Me Before You, but couldn't quite cut everything.
There are throwaway characters who I suspect have far more dept and character in the book; here they are stand-up comics doing two or three minutes of material. And there is a plot so tired and retread as to make any tension non-existent. But ... but the main characters have something to them, and they do a few things that make you feel that the plot is more than just something on which to hang comedy. I suspect that the book highlights these parts and makes them more prominent.
There are throwaway characters who I suspect have far more dept and character in the book; here they are stand-up comics doing two or three minutes of material. And there is a plot so tired and retread as to make any tension non-existent. But ... but the main characters have something to them, and they do a few things that make you feel that the plot is more than just something on which to hang comedy. I suspect that the book highlights these parts and makes them more prominent.
It is well acted, other than some of the comedy bits which seem out of place. There are scenes of sumptuous foods and wealth, as one would expect from the title. And a few too many party scenes. But fun and - nearly - satisfying. As for the fact that it had an all-Asian cast, well, duh. Like Black Panther, this doesn't prove anything. Any idiot already knew that an ethnic cast could lead a movie that contains ethnic story overtones and interactions. Any idiot should also know that the same people could be main characters in any, generic movie, but apparently there are a lot of people who are not yet as smart as just any idiots.
Destination Wedding: This was a surprisingly great movie. Lindsay (Winona Ryder) and Frank (Keanu Reeves) are the ex-fiance and the estranged brother of a guy getting married. They don't want to be there, don't like the groom, don't like the bride, or the place, or the airline, or the food, or each other, or themselves. And so they snark and insult their way through 90 minutes of screen-time. Literally no one else in the movie talks: it's just Lindsay and Frank. They are both so vile and bitter that even the usual rom-com tropes are subverted: they know that they should end up together, but they refuse to allow it to happen.
This movie follows in the tradition of the Before series of movies, as well as other heavy dialog movies. It's not quite as good as a Before movie, which had a more wide-ranging series of discussions and characters who were a little (a lot) less jaded. The movie is smart with snarky dialog and has some interesting things to say about relationships, self-worth, decency, obligation, and so forth. It's often very funny. I had a blast and really want to see it again.
Yes, they are miserable. Unlike the real misery that repelled me in movies like Logan and Three Billboards, these guys are funny-miserable, so it's fun to watch.
I Feel Pretty: This movie has a great message, or it pretends to, anyway: don't let what you look like rob you of your confidence. And Amy Schumer has certainly been known to be funny ... sometimes, and in small doses. This one is a disaster.
The movie has no artistry: Amy's character is supposed to feel bad about her looks, so she writes ten scenes in a row with her looking in a mirror with disappointment and people insulting her looks in various ways. It's so straightforward and artless that it is painful to watch. Compare this to the exact same message that Anne Hathaway conveys in The Devil Wears Prada and you see what I mean: Anne's lack of self-worth derives from the story around it and the occasional barbs thrown at her in passing, not ten flat scenes of "you're ugly". And let's not forget that Amy is not unattractive; she is a plus size, but she is not a flat blob and she is also perky and white with good skin. So the premise is a stretch.
Amy wakes up after a head injury believing that she is now beautiful (although her body hasn't changed, and no one else knows what she is talking about), and with her new head injury she confidently strides her way into the job and relationship she wants, while everyone else looks on in a) disbelief, b) with amusement, or c) with respect at her confidence based on nothing outwardly visible.
Her head injury also, apparently, causes her to become completely social unaware of what everyone else thinks, says, or does, causes her to steamroll over every conversation without listening to anyone, causes her to be cruel to everyone else, and somehow causes everyone else to respect her, despite the fact that she is still a complete klutz and idiot. One scene of this is tolerable; the same scene of her talking over people and insulting them, over and over and over and over and over is wearying, and eventually very very unfunny.
What's worse is that the entire point of the movie is that what's inside counts, not what's outside, but she ends up working for and being spokesman for a beauty company, which defeats the entire damn point. Crassness is one thing, artless is another. I really tried, but I couldn't tolerate more than half of the movie.
The Wife: A decent but not not great movie with great acting and an unambitious and uncomplicated fictional plot. Glenn Close and Jonathan Pryce star as Joan and Joe Castleman. They, their son, and a nosy, persistent journalist travel to Sweden so that Joe can get the Nobel prize for literature, The son is behaving like a spoiled teenager (he is supposed to be in his thirties) and the journalist is writing a book about Joe and suggesting some possible problems with his past.
It doesn't descend into something deep, dark, and criminal, like an action thriller. It's just a question of authorship, validity, and respect. This movie is reminiscent of the far superior Big Eyes, a true story that made it quite clear early on that a supposed genius was passing his wife's art off as his own. This movie, entirely fiction, gives us the revelation further into the movie, and handles it badly. The movie doesn't have anything new or interesting to say and also doesn't maintain much tension, other than who will get mad at whom, when, and how much. It is an acting exercise, which is a waste of time, since neither Close nor Pryce need to prove how well they can act.
Admittedly, if Big Eyes didn't exist, I might give this more of a break. As it is, I can't recommend it, but lovers of the actors or of acting scenes will enjoy it. It's really not all that bad. My particular non-enjoyment comes from the son, who is just too miserable throughout the movie, and the odious behavior of one of the other main characters, which drove me to distraction.
Won't You Be My Neighbor: Growing up I didn't like Mr. Rogers' Neighborhood too much, since it was slow, the production was rather low, and puppets on television didn't excite me. As an adult, I have watched videos of Fred Rogers, including his speech defending public television and some of his great moments (such as telling a room full of celebrities to think about, in total silence, who got them to where they are today, and so forth). These videos move me. I have nothing but the greatest respect and admiration for the man. Nevertheless, I'm sure there were many others like me who could not connect to the messages he tried to convey in his TV series, for the reasons that I mentioned.
This biopic movie covers many major stories and facts about him and his philosophy, with only a small amount of material not related to his TV program. I doubt that anyone who never saw the TV show will be interested in it. It is a paean to a simple, slow goodness that seems to be fading away ... that I suspect will always seem to be fading away. There will always be a few great, lovely people with simple messages who lead wholesome lives, even while most of us are consumed by the latest glitz, glamour, gossip, guns, or sensationalist brawls that pass for entertainment or debate. I think it is great to be reminded about better values, at least once in a while. Of course, if we go right back to the guns and brawls, it doesn't come to much.
As a movie, it was okay. It is riveting if you find his personality riveting. Not much, otherwise.
Destination Wedding: This was a surprisingly great movie. Lindsay (Winona Ryder) and Frank (Keanu Reeves) are the ex-fiance and the estranged brother of a guy getting married. They don't want to be there, don't like the groom, don't like the bride, or the place, or the airline, or the food, or each other, or themselves. And so they snark and insult their way through 90 minutes of screen-time. Literally no one else in the movie talks: it's just Lindsay and Frank. They are both so vile and bitter that even the usual rom-com tropes are subverted: they know that they should end up together, but they refuse to allow it to happen.
This movie follows in the tradition of the Before series of movies, as well as other heavy dialog movies. It's not quite as good as a Before movie, which had a more wide-ranging series of discussions and characters who were a little (a lot) less jaded. The movie is smart with snarky dialog and has some interesting things to say about relationships, self-worth, decency, obligation, and so forth. It's often very funny. I had a blast and really want to see it again.
Yes, they are miserable. Unlike the real misery that repelled me in movies like Logan and Three Billboards, these guys are funny-miserable, so it's fun to watch.
I Feel Pretty: This movie has a great message, or it pretends to, anyway: don't let what you look like rob you of your confidence. And Amy Schumer has certainly been known to be funny ... sometimes, and in small doses. This one is a disaster.
The movie has no artistry: Amy's character is supposed to feel bad about her looks, so she writes ten scenes in a row with her looking in a mirror with disappointment and people insulting her looks in various ways. It's so straightforward and artless that it is painful to watch. Compare this to the exact same message that Anne Hathaway conveys in The Devil Wears Prada and you see what I mean: Anne's lack of self-worth derives from the story around it and the occasional barbs thrown at her in passing, not ten flat scenes of "you're ugly". And let's not forget that Amy is not unattractive; she is a plus size, but she is not a flat blob and she is also perky and white with good skin. So the premise is a stretch.
Amy wakes up after a head injury believing that she is now beautiful (although her body hasn't changed, and no one else knows what she is talking about), and with her new head injury she confidently strides her way into the job and relationship she wants, while everyone else looks on in a) disbelief, b) with amusement, or c) with respect at her confidence based on nothing outwardly visible.
Her head injury also, apparently, causes her to become completely social unaware of what everyone else thinks, says, or does, causes her to steamroll over every conversation without listening to anyone, causes her to be cruel to everyone else, and somehow causes everyone else to respect her, despite the fact that she is still a complete klutz and idiot. One scene of this is tolerable; the same scene of her talking over people and insulting them, over and over and over and over and over is wearying, and eventually very very unfunny.
What's worse is that the entire point of the movie is that what's inside counts, not what's outside, but she ends up working for and being spokesman for a beauty company, which defeats the entire damn point. Crassness is one thing, artless is another. I really tried, but I couldn't tolerate more than half of the movie.
The Wife: A decent but not not great movie with great acting and an unambitious and uncomplicated fictional plot. Glenn Close and Jonathan Pryce star as Joan and Joe Castleman. They, their son, and a nosy, persistent journalist travel to Sweden so that Joe can get the Nobel prize for literature, The son is behaving like a spoiled teenager (he is supposed to be in his thirties) and the journalist is writing a book about Joe and suggesting some possible problems with his past.
It doesn't descend into something deep, dark, and criminal, like an action thriller. It's just a question of authorship, validity, and respect. This movie is reminiscent of the far superior Big Eyes, a true story that made it quite clear early on that a supposed genius was passing his wife's art off as his own. This movie, entirely fiction, gives us the revelation further into the movie, and handles it badly. The movie doesn't have anything new or interesting to say and also doesn't maintain much tension, other than who will get mad at whom, when, and how much. It is an acting exercise, which is a waste of time, since neither Close nor Pryce need to prove how well they can act.
Admittedly, if Big Eyes didn't exist, I might give this more of a break. As it is, I can't recommend it, but lovers of the actors or of acting scenes will enjoy it. It's really not all that bad. My particular non-enjoyment comes from the son, who is just too miserable throughout the movie, and the odious behavior of one of the other main characters, which drove me to distraction.
Won't You Be My Neighbor: Growing up I didn't like Mr. Rogers' Neighborhood too much, since it was slow, the production was rather low, and puppets on television didn't excite me. As an adult, I have watched videos of Fred Rogers, including his speech defending public television and some of his great moments (such as telling a room full of celebrities to think about, in total silence, who got them to where they are today, and so forth). These videos move me. I have nothing but the greatest respect and admiration for the man. Nevertheless, I'm sure there were many others like me who could not connect to the messages he tried to convey in his TV series, for the reasons that I mentioned.
This biopic movie covers many major stories and facts about him and his philosophy, with only a small amount of material not related to his TV program. I doubt that anyone who never saw the TV show will be interested in it. It is a paean to a simple, slow goodness that seems to be fading away ... that I suspect will always seem to be fading away. There will always be a few great, lovely people with simple messages who lead wholesome lives, even while most of us are consumed by the latest glitz, glamour, gossip, guns, or sensationalist brawls that pass for entertainment or debate. I think it is great to be reminded about better values, at least once in a while. Of course, if we go right back to the guns and brawls, it doesn't come to much.
As a movie, it was okay. It is riveting if you find his personality riveting. Not much, otherwise.
Thursday, February 13, 2020
Brave Browser the Best privacy-focused Browser of 2019
Out of all the privacy-focused products and apps available on the market, Brave has been voted the best. Other winners of Product Hunt's Golden Kitty awards showed that there was a huge interest in privacy-enhancing products and apps such as chats, maps, and other collaboration tools.
An extremely productive year for Brave
Last year has been a pivotal one for the crypto industry, but few companies managed to see the kind of success Brave did. Almost every day of the year has been packed witch action, as the company managed to officially launch its browser, get its Basic Attention Token out, and onboard hundreds of thousands of verified publishers on its rewards platform.
Luckily, the effort Brave has been putting into its product hasn't gone unnoticed.
The company's revolutionary browser has been voted the best privacy-focused product of 2019, for which it received a Golden Kitty award. The awards, hosted by Product Hunt, were given to the most popular products across 23 different product categories.
Ryan Hoover, the founder of Product Hunt said:
"Our annual Golden Kitty awards celebrate all the great products that makers have launched throughout the year"
Brave's win is important for the company—with this year seeing the most user votes ever, it's a clear indicator of the browser's rapidly rising popularity.
Privacy and blockchain are the strongest forces in tech right now
If reaching 10 million monthly active users in December was Brave's crown achievement, then the Product Hunt award was the cherry on top.
The recognition Brave got from Product Hunt users shows that a market for privacy-focused apps is thriving. All of the apps and products that got a Golden Kitty award from Product Hunt users focused heavily on data protection. Everything from automatic investment apps and remote collaboration tools to smart home products emphasized their privacy.
AI and machine learning rose as another note-worthy trend, but blockchain seemed to be the most dominating force in app development. Blockchain-based messaging apps and maps were hugely popular with Product Hunt users, who seem to value innovation and security.
For those users, Brave is a perfect platform. The company's research and development team has recently debuted its privacy-preserving distributed VPN, which could potentially bring even more security to the user than its already existing Tor extension.
Brave's effort to revolutionize the advertising industry has also been recognized by some of the biggest names in publishing—major publications such as The Washington Post, The Guardian, NDTV, NPR, and Qz have all joined the platform. Some of the highest-ranking websites in the world, including Wikipedia, WikiHow, Vimeo, Internet Archive, and DuckDuckGo, are also among Brave's 390,000 verified publishers.
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